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Princeton University Press , 9 de febr. Reading Rape examines how American culture talks about sexual violence and explains why, in the latter twentieth century, rape achieved such significance as a trope of power relations.

Books by Sabine Sielke - Wheelers Books

Altres edicions - Mostra'ls tots Reading Rape: Her publications include Fashioning the Female Subject and four edited volumes: Also the novel Purge, similar to S: A Novel, set in s Estonia. It appears to be part novel part social critique.


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Interesting, possibly, if looking at African American literature. Two perhaps more problematic texts: Fill in your details below or click an icon to log in: Email required Address never made public. This site uses cookies.

Rape & Sexual Assault

By continuing to use this website, you agree to their use. To find out more, including how to control cookies, see here: That talk about rape is always talk about power relations is not so surprising.

Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary

But the ways that in the United States the legacy of slavery has informed rhetoric about rape is rather stunning, particularly the way it haunts rape narratives and rhetoric today. Sielke contends that the rhetoric of rape in the United States is always already informed by America's primal incest scene, with its "enforced relations within the extended plantation family" and the lynching of African American men.

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Sielke's first chapter yokes together sexual violence in antebellum American literature and contemporary feminist discourse, tracking how the dominant feminist rhetoric of rape relies on "nineteenth century perspectives on gender and race relations" , Here Sielke charges that contemporary feminist thinking about rape dangerously echoes earlier rhetoric, infanticizing women in much the same way that nineteenth century rhetoric about rape did—by making all heterosexual consent for women impossible and by defining all sexuality as "the violation of women by men" Through a comparison of novels of seduction and slave narratives such as Susana Rowson's Charlotte Temple and Harriet Jacobs's Incidents in the [End Page ] Life of a SlaveGirl and dominant rape-crisis discourse, Sielke illustrates how both examples of rape rhetoric succeed in lumping together a range of consensual and non consensual acts such as "consensual heterosexual intercourse.

In chapter two, Sielke shifts her focus to the turn-of-the-century obsession with masculinity, in particular "wild "images of black men represented as "bestial" and full of perverse, untamed desire. Texts like Frank Norris's McTeague and Nelson Pages' Red Rock reflect a national identity crisis and the image of the African American man as beast "ferociously invading the sacred rights of woman and endangering the home of whites" Genovese in Sielke , Such a reduction of blackness to "extreme corporeality, to the literal, helps recast white womanhood in spiritual and figural terms"


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