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German television also offers numerous examples: Rosamunde Pilcher, the grand old lady of the romance novel, finds her most loyal audience in Germany. Public broadcaster ZDF has adapted 80 of her stories for the small screen, all shot on location in the West Country. Another British export to Germany that is barely known here is Dinner For One , a comedy sketch in which Miss Sophie celebrates her 90th birthday in the company of her four dearest friends, all of whom are long dead and therefore represented by her butler, James, who gets progressively more drunk as he slips into the roles of each the deceased four to toast the birthday girl.
This TV "classic" is, according to the Guinness Book of Records , the most frequently repeated programme ever. It has been in the German New Year's Eve schedule for 40 years.
Britain, ich liebe dich
Could anyone seriously maintain that the Germans don't have a sense of humour when half the population watches it — in English, of course — every year? In fact, academics have established that the difference between English and German humour lies in the peculiarities of the languages. Amid sketches involving The Merchant of Venice re-enacted by cows, and a philosophers' football match between Greeks and Germans "There's the ball… and Nietzsche's there, with Kant moving up on the outside…". There is, of course, one issue that has not yet gone away: But there can be little doubt that the Germans have done more to put their history in its place than the British.
The problem with the Anglo-German exchange over the Nazi past has always been that both sides were referring to their own, very different memories. While the British talk about heroism on the battlefield and the home front and evoke the unifying spirit of the Blitz, the Germans talk about the Holocaust. Yet, over the past two decades, Germany has moved on and turned a suffocating sense of guilt into a responsibility for all generations to remember the Nazi atrocities.
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In Britain, a complex debate about national identity continues, in an attempt to replace the Nazi era as the last moment when Britishness could be clearly defined. But the war is no longer the great Anglo-German stumbling block that it once was. We help brands do just that. Why advertise with us?
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Britain, ich liebe dich - Telegraph
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