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Standing between the door and the mirror, I can see at multiple angles, my grandmother and the other shoppers, all of them decent and goodhearted women, diligent in cleanliness, grooming, and decorum Even now my grandmother, not to be rushed, is delicately drying her pumps with tissues from her purse For my grandmother always wears well-turned pumps that match her purse, I think in case someone from one of the best families of Aleppo should run into her—here, in front of the Kenmore display.

I smile at the midwestern women as if my grandmother has just said something lovely about them and shrug at my grandmother as if they had just apologized through me No one is fooled, but I.

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American Writers Respond Etruscan Books, gathered poetry and reflections by poets and writers, offering an almost immediate but complex response to the attacks; the poems and letters to the editor William Heyen range from the reflective to the angry, from grief to grievance, from reactionary to radical. There is more than enough to read, to read to remember, and to imagine other futures.

The terrorist attacks of September 11, compelled me to rethink everything I thought I knew, and made me want to learn more, to read outside whatever borders I had created for myself. Not to be more American, but to be a better citizen, a better denizen of the planet. To go global and be local, to go ancient and be modern, to question all certainties and embrace what I did not know, to read Rumi and Isaiah, Rushdie and Roy and even Al-Qaeda, to listen to Springsteen and Kulthum, to refuse the elixir of fundamentalisms, to translate and be translated again by what I could not yet understand.

To tattoo "Oye" on my body. Portions of this essay have been adapted from Behind the Lines: Philip Metres was born in San Diego and grew up in the suburbs of Chicago. Bob Hicok was born in in Michigan and worked for many years in the automotive die industry. A published poet long before he earned his MFA, Hicok is the Poet and scholar Mohja Kahf was born in Damascus, Syria. Her family moved to the United States in , and Kahf grew up in the Midwest. She earned a PhD He is the author of Morning Constitutional , MS , Forgotten from the Mr.

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Thanks for sharing it, Joe. I appreciate Philip Metres' comments here, and the poems he references and quotes from. Some of the poems have been familiar to me previously: I'm interested that Metres raises the often-referenced statement by Theodor Adorno that "to write lyric poetry after Auschwitz is barbaric.

I've never read Adorno's statement in its original source, and I lack a full context for commenting on it. Poet Adrienne Rich, in her essay "Poetry and the Forgotten Future" in her essay collection A Human Eye indicates that Adorno himself later retracted the statement; Rich's essay is one of many commentaries I've read over the years that insist on the usefulness and necessity of poetry in meeting the events of the world as they come to pass, and in looking toward the possibilities of the future.

In his essay, Berger begins by describing a hotel near where he lives in France, that was used during the Second World War by the Gestapo for interrogating and torturing prisoners. Berger then quotes excerpts of poems written by poets that treat similar experience and conditions: This hope is, of course, at the origin of prayer, and prayer -- as well as labour -- was probably at the origin of speech itself. Of all uses of language, it is poetry that preserves most purely the memory of this origin. Yet the language -- which is immediate, and which is sometimes wrongly thought of as being only a means -- offers, obstinately and mysteriously, its own judgement when it is addressed by poetry.

This judgement is distinct from that of any moral code, yet it promises, within its acknowledgement of what it has heard, a distinction between good and evil -- as though language itself had been created to preserve just that distinction! This is why the hour of the furnaces is also the hour of poetry. I would not suggest or insist that poetry alone is necessarily adequate to address the often horrific realities of the world in our time.

I do believe that poetry can be one useful means of approaching the questions and the conditions of life that confront us daily. To cite one relatively recent and famous instance, consider the response of the George W.

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Bush administration in early when thousands of poets attempted to deliver their words to an official "cultural" event at the White House. The Bush administration understood the subversive potential of poetry that attempts to call the things of the world by their right names. I would suggest that if the rich and powerful of the world -- a great many of whom are, at best, indifferent to poetry -- can nevertheless understand the potential and volatile power poetry may have, then those of us who love poetry, who write poetry, who make our lives of poetry, can also at least understand the usefulness poetry can have in our lives and our world.

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  • The Twittered Tao!
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  • Beyond Grief and Grievance by Philip Metres | Poetry Foundation.

Ode to Earth in Meter is nominated for a Pulitzer prize by the author's former publisher. As the Library at Alexandria contained the wisdom of the ages and the secrets that would take humanity to the next level of evolution, so the Mother, Earth, contains the tools for transcendence in the substance of her makeup, repeated in the makeup of the human body.

Ode to Earth in Meter captures in lyric verse the woe that is at our feet and in our air and water and names the causes without blaming them, leading us to view the possibilities that reside within us still, lifting our gaze to a partnership that stretches the imagination and invites us to step where we never knew we could. Read more Read less. Prime Book Box for Kids. Be the first to review this item Amazon Best Sellers Rank: Related Video Shorts 0 Upload your video.

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Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. This global connectivity was emphasised at the book launch, which took place in November of at the Irish Centre for Human Rights, located at the National University of Ireland, Galway.


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The endorsement from Mandela underlined the message of the publication: This series highlights shifting scales of memory by moving across territories, folding together images from different time periods, and foregrounding the process of translation. The representation of the intimate, specific and sited deaths inside the World Trade Centre intersects with the fealty and honour of a medieval warrior through an old English epic poem.

The ways that memories travel and circulate can be seen in the following poems in the sequence, which also adapt and appropriate texts from other language traditions. In these poems the local intersects with the global, and the deep past meets the present.

In a letter to Fairouz, Heaney proposed that the poem could be used as the final part of a triptych with two other poems from District and Circle: What is the reader to make of this translation? On the other hand, like many other contemporary writers, he uses the classical text as a means to an end rather than an end in itself.

Rather, by drawing on a classical ode he has identified continuities across time. Furthermore, his translation is not constrained by national boundaries of remembrance. Her research examines cultural memory in the late work of Seamus Heaney. De Cesari, Chiara, and Ann Rigney. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value.

Poetry and the Uncommemorable. Ann Keniston and Jeanne Follansbee Quinn.

Be Centered in Christ and Not in Self

U Nebraska P, On Translating Horace Odes, 1, The Art of Translating Poetry. Essays on the Humanities and the Arts. U of California P, The Poetic Success of Suheir Hammad. U of Nebraska P, Interviews with Seamus Heaney. Remembering the Holocaust in the Age of Decolonization. Writing, Trauma, and Home. U of Notre Dame P, Collected and Last Poems. Clare Cavanagh and Stanislaw Baranczak.

Houghton Mifflin Harcourt, Poetic Change and Political Equivocation. In the Australian Humanities Review, see also: If you would like to contribute to this discussion, please email ahr anu.